‘After 400 years, Shakespeare breaks his silence', proclaims the front cover of Christopher Rush's 459 page stream of consciousness reconstruction of Shakespeare's deathbed thoughts and memories. Yes, ‘Will' is a quasi Elizabethan pun, since Will (Shakespeare) and his gourmandising Stratford lawyer Francis Collins are engaged in drawing up the famous will in which Anne Hathaway is left her husband's ‘second best bed', a bequest which has tantalised commentators ever since 1616.
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