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Brightonomicon

Author
Robert Rankin
Genre
Media
Book
Publisher
Gollancz
ISBN
978-057507773
Reviewer
Steve

Synopsis

Robert Rankin's THE BRENTFORD TRILOGY - seven books and counting - catapulted him into the dizzy heights of "cult success", but over the years that cult following has grown and Robert Rankin is now the second best-selling writer of comic fantasy in Britain, after Terry "He Always Makes Me Laugh" Pratchett. Were you aware that there are, hidden in the streets of Brighton, twelve ancient constellations, like the Hangleton Hound and the Bevendean Bat . . . well, there are: and on each one hangs a tale, a tale so strange that only The Lad Himself, that inveterate spinner of tales and talker of the toot, Hugo Rune, can get to the bottom of them. And he'd better do it quickly, because if he doesn't solve the dozen mysteries before the year is out, that'll be the end of the world as we know it. And everything.


Photograph of Author

Robert Rankin by David Warren

Review

A hapless teenager is rescued from drowning, but loses his memory. His rescuer is Hugo Rune the self-styled Perfect Master, Guru's Guru, etc, etc. Together they solve 12 mysteries and thwart rune's dark nemesis Count Otto Black.

I like the idea of using 12 ‘zodiac' signs inspired by shapes made by Brighton's street map. When Rankin does use clichés, there's often a comment by Rizla, the teenage narrator, acknowledging it. For example there's a running gag with suggestive beer names - though real ales often have dodgy names in reality too. Early on Rune relates the ‘Chevalier Effect' - that the decay of time passing means that recollections can vary but all be true. This enables any lack of continuity to be cheerfully explained away by Rizla, and turns what would be extra plot problems for other authors into another joke for Rankin.

At times it seemed that Rizla role was merely as an acolyte even a stooge. He's not needed to solve the mysteries, but as a character I found him more sympathetic than his master. Rune never pays his bills and resorts to his stout stick if taxi-drivers insist on payment.

As with other Rankin stories its often the asides and tangents which are particularly amusing (at least for me). I enjoyed the way Fangio's pub/bar kept changing. I wondered if this was a comment on what had happened to the authors locals in recent years.

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